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Transmissions: The Music of Beverly Glenn​-​Copeland

by Beverly Glenn-Copeland

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majhium What's not to love it's Beverly Glenn-Copeland. A brilliant fantastic blend of comforting old music with respectful modern collaborations/collaborators doing their thing! As I write this I am still stuck at home doing the Home Office thing and having a bad day. This album; Beverly's album, is lifting me from the the glum of this particular day... Pandemic how the world has changed... Favorite track: Don't Despair.
davidonri thumbnail
davidonri uplifting, beautiful, and groovy Favorite track: This Side of Grace.
alvarfj thumbnail
alvarfj Like a hug from and old friend. Favorite track: Sunset Village.
s0rta thumbnail
s0rta Glenn,

You've made something that allowed me to connect to apart of myself that I haven't ever really understood. Thankyou for putting this collection together and allowing us to listen in.

-- JT Favorite track: Deep River (Live at Le Guess Who?).
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La Vita 03:53
Ever New 07:09
Durocher 04:37
River Dreams 04:12
In The Image 04:18
Erzili 09:43


Transmissions is a career-spanning album that includes compositions from Beverly Glenn-Copeland’s early works and his cult-status release, Keyboard Fantasies. It also includes both new and archival unreleased tracks and live versions. It includes the first pieces of newly recorded music that Glenn has released in almost 20 years with the track ‘River Dreams’. The album is nominated for Best Outlier Album at the A2IM Libera Awards.

Transmissions is available now on vinyl, CD and all streaming platforms featuring extended liner notes written by Dev Hynes of Blood Orange.

Stained Glass Cover Art of The Raven by Evelyn Wolff,


released September 25, 2020

La Vita, This Side of Grace and In The Image first released on Primal Prayer album under the moniker Phynix in 2004. Produced by John Herberman. Mixed by Composers Music Production. Additional vocals on La Vita by Maggie Dace Hollis. Electric Bass on This Side of Grace by Scott Alexander. Recorded at Composers Music Production studio in Toronto, ON.

Ever New and Sunset Village first released on Keyboard Fantasies album in 1986. Produced by Beverly Glenn-Copeland. Engineered and mixed by Colleen Veitch. Recorded at Audio-Logic Recording Studio in Huntsville, Ontario.

Colour Of Anyhow (CBC q live version) recorded by 2019 © Canadian Broadcasting Corporation. Performing musicians are Carlie Howell (bass), Jeremy Costello (synth, backing vocals), Nick Dorado (piano), Kurt Inder (guitar, keys), Bianca Palmer (drums/percussion). Recorded at CBC Toronto Studio 211.

Deep River (Live from Le Guess Who?) recorded live at Le Guess Who? 2018 in Utrecht, The Netherlands. Performing musicians are Carlie Howell (bass, backing vocals), Jeremy Costello (synth, backing vocals), Nick Dorado (piano), Kurt Inder (guitar, keys), Bianca Palmer (drums/percussion). Audio recorded & mixed by Marc Broer and Philip ten Brink. Thanks to the LGW team: Bob van Heur, Johan Gijsen, and Barry Spooren.

Don’t Despair and Durocher first released on Beverly Copeland album in 1970 for CBC Transcription series. Produced by Ramona Randall, engineered by Robert Guay, mixed by Gilles Vaudevill. Durocher lyrics written by Judith Weiss. Recorded at CBC Montreal.

River Dreams recorded in 2018 at A Room Within a Room Studio in Sackville, NB. Produced and engineered by B. Glenn-Copeland. Mixed by B. Glenn-Copeland.

Montreal Main (The Buddha In The Palm) first released on At Last! EP in 1983. Performed by Peter Cardinali (bass), Kevin McKenzie (drums), Jim Tait (guitar), Dick Smith (percussion), Doug Riley (synth, organ). Produced by Doug Riley. Engineered and mixed by Hayward Parrott, assisted by Rick Starks and Ron Searles. Recorded at Mantra Sound Studios in Toronto, ON.

All tracks re-mastered by Guy Davie at Electric Mastering
Artwork of The Raven by Evelyn Wolff
Graphic design and layout by Traianos Pakioufakis


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Beverly Glenn-Copeland New Brunswick

Born into a family all of whom were very musical, essentially studied the classical piano repertoire from ‘cradlehood,’ listening to his father playing the piano four to five hours a day. He went on to study classical music and then after a few years of concertizing he suddenly felt called to write music that would weave all the different musical cultures he had come to love. ... more


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